Fashions of a Postcolonial Provocateur – New York Times
July 2nd, 2009 | by |table border=0 cellpadding=2 cellspacing=7 style=vertical-align:top;trtd width=80 align=center valign=topfont style=font-size:85%;font-family:arial,sans-serifa href=http://news.google.com/news/url?fd=Ramp;sa=Tamp;url=http://www.nytimes.com/2009/07/03/arts/design/03yinka.html?ref=artsamp;usg=AFQjCNEBnDckhtHz8ulo-GpjBLgoPIFTzQimg src=http://nt3.ggpht.com/news/tbn/n-LqMxh5T5YivM/6.jpg alt= border=1 width=80 height=80 /br /font size=-2New York Times/font/a/font/tdtd valign=top class=jfont style=font-size:85%;font-family:arial,sans-serifbr /div style=padding-top:0.8em;img alt= height=1 width=1 //divdiv class=lha href=http://news.google.com/news/url?fd=Ramp;sa=Tamp;url=http://www.nytimes.com/2009/07/03/arts/design/03yinka.html?ref=artsamp;usg=AFQjCNEBnDckhtHz8ulo-GpjBLgoPIFTzQbbFashions/b of a Postcolonial Provocateur/b/abr /font size=-1bfont color=#6f6f6fNew York Times/font/b/fontbr /font size=-1“The Swing (After Fragonard),” from 2001, based on the famous painting of a woman gaily tossing her bshoe/b into the air as her lover looks on, was a breakout b…/b/fontbr /font size=-1 class=p/fontbr /font class=p size=-1a class=p href=http://news.google.com/news/more?ned=usamp;ncl=dgISsj0aHJ4VNiMnobrband morenbsp;raquo;/b/nobr/a/font/div/font/td/tr/table
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