Art Review | Yinka Shonibare Fashions of a Postcolonial Provocateur – New York Times
July 2nd, 2009 | by |table border=0 cellpadding=2 cellspacing=7 style=vertical-align:top;trtd width=80 align=center valign=topfont style=font-size:85%;font-family:arial,sans-serif/font/tdtd valign=top class=jfont style=font-size:85%;font-family:arial,sans-serifbr /div style=padding-top:0.8em;img alt= height=1 width=1 //divdiv class=lha href=http://news.google.com/news/url?fd=Ramp;sa=Tamp;url=http://www.nytimes.com/2009/07/03/arts/design/03yinka.htmlamp;usg=AFQjCNEBnzCprEylcuBeB-hcPELHgqc4mQbArt Review | Yinka Shonibare bFashions/b of a Postcolonial Provocateur/b/abr /font size=-1bfont color=#6f6f6fNew York Times/font/b/fontbr /font size=-1“The Swing (After Fragonard),” from 2001, based on the famous painting of a woman gaily tossing her bshoe/b into the air as her lover looks on, was a breakout b…/b/fontbr /font size=-1 class=p/fontbr /font class=p size=-1a class=p href=http://news.google.com/news/more?ned=usamp;ncl=d0UWrUIotBtv2YMnobrband morenbsp;raquo;/b/nobr/a/font/div/font/td/tr/table
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